But seriously, I think the problem with the Alan Parsons Project songs (at least the ones posted) had intros that were too long and lyrics that were forgettable. I like the sound, maybe a little too synthesized but well crafted.
[This message has been edited by spark1 (edited 08-05-2010).]
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11:39 PM
litespd Member
Posts: 8128 From: No where you want to be Registered: Aug 99
Alan Parsons is still alive and kicking, and making music, Boonie. I just read an article about him in the local paper a couple of weeks ago. Check out http://www.alanparsonsmusic.com/
(edit...and yes, I have a couple APP albums...)
[This message has been edited by litespd (edited 08-05-2010).]
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11:55 PM
Aug 5th, 2010
Boondawg Member
Posts: 38235 From: Displaced Alaskan Registered: Jun 2003
Alan Parsons is still alive and kicking, and making music, Boonie.
Well, kinda. The original Project is dead.
Englishman Alan Parsons met Scotsman Eric Woolfson in the canteen of Abbey Road Studios in the summer of 1974. Parsons had already acted as assistant engineer on The Beatles' Abbey Road and Let It Be, had recently engineered Pink Floyd's The Dark Side of the Moon, and had produced several acts for EMI Records. Woolfson, a songwriter and composer, was working as a session pianist; he also composed material for a concept album idea based on the work of Edgar Allan Poe.
Parsons asked Woolfson to become his manager and Woolfson managed Parsons' career as a producer and engineer through a string of successes including Pilot, Steve Harley, Cockney Rebel, John Miles, Al Stewart, Ambrosia and The Hollies. Parsons commented at the time that he felt frustrated in having to accommodate the views of some of the musicians, which he felt interfered with his production. Woolfson came up with the idea of making an album based on developments in the film industry, where directors such as Alfred Hitchcock and Stanley Kubrick were the focal point of the film's promotion, rather than individual film stars. If the film industry was becoming a director's medium, Woolfson felt the music business might well become a producer's medium.
Recalling his earlier Edgar Allan Poe material, Woolfson saw a way to combine his and Parsons' respective talents. Parsons would produce and engineer songs written by the two, and the Alan Parsons Project was born. Their first album, Tales of Mystery and Imagination, including major contributions by all members of Pilot, was a success, reaching the Top 40 in the US Billboard 200 chart. The song "The Raven" featured lead vocals by the actor Leonard Whiting, and, according to the 2007 remastered album liner notes, was the first rock song to use a digital vocoder, with Alan Parsons speaking lyrics through it.
Arista Records then signed The Alan Parsons Project for further albums. Through the late 1970s and early 1980s, the group's popularity continued to grow (although they were always more popular in North America and Continental Europe than in their home country, never achieving a UK Top 40 single or Top 20 album. The singles "I Wouldn't Want to Be Like You", "Games People Play", "Time" (Woolfson's first lead vocal), and "Eye in the Sky", all making a notable impact on the Billboard Hot 100. After the #3 success of the last in the US (and #6 in Canada), however, the group began to fade from view. There were fewer hit singles, and declining album sales. 1987's Gaudi was the Project's last release, though they planned to record an album called Freudiana next.
Although the studio version of Freudiana was produced by Parsons (and featured the regular Project backing musicians, making it an 'unofficial' Project album), it was primarily Woolfson's idea to turn it into a musical. This eventually led to a rift between the two artists. While Parsons pursued his own solo career and took many members of the Project on the road for the first time in a successful worldwide tour, Woolfson went on to produce musical plays influenced by the Project's music. Freudiana, Gaudi and Gambler were three musicals that included some Project songs like "Eye in the Sky", "Time", "Inside Looking Out," and "Limelight." The live music from Gambler was only distributed at the performance site in Moenchengladbach, Germany.
In 1981, Parsons, Woolfson and their record label Arista, were stalled in contract renegotiations when on 5 March the two submitted an all-instrumental atonal album tentatively titled 'The Sicilian Defence' (the name of an aggressive opening move in chess), arguably to get out of their recording contract. Arista's refusal to release the album had two known effects: the negotiations led to a renewed contract and the album was never released.
"The Sicilian Defense was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered. The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album, The Turn of a Friendly Card. The Sicilian Defense album was never released and never will be, if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist." —Alan Parsons
In interviews made before his 2009 death,[6] Woolfson said he planned to release one track from the "Sicilian" album, which in 2008 appeared as a bonus track on a CD re-issue of the Eve album.
Parsons released titles under his name (Try Anything Once, On Air, The Time Machine, and A Valid Path), while Woolfson made concept albums named Freudiana (about Sigmund Freud's work on psychology) and Poe: More Tales of Mystery and Imagination (continuing from the Alan Parsons Project's first album about Edgar Allan Poe's literature).
Tales of Mystery and Imagination was first remixed in 1987 for release on CD, and included narration by Orson Welles which had been recorded in 1975, but arrived too late to be included on the original album. On the 2007 deluxe edition release, it is revealed that parts of this tape were used for the 1976 Griffith Park Planetarium launch of the original album, the 1987 remix, and various radio spots, all of which were included as bonus material.
[This message has been edited by Boondawg (edited 08-05-2010).]
Too late. The Nebraska Cornhuskers football team uses it as their entrance. I have no doubts that there is some exclusive rights done up for this.
yeah I got the idea from the MN Timberwolves, back before I even knew what the Alan Parsons Project was, (back when we had KG ) The first time I heard Eye in the Sky, I had to download it just because of that intro.
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01:13 AM
jimbolaya Member
Posts: 10652 From: Virginia Beach, Virginia Registered: Feb 2007
yeah I got the idea from the MN Timberwolves, back before I even knew what the Alan Parsons Project was, (back when we had KG ) The first time I heard Eye in the Sky, I had to download it just because of that intro.
Yes, the Huskers use it as their entrance theme...but so do many other sports teams. There are actually TWO songs in that video. Sirius is the intro song, which then leads into Eye in the Sky. Sirius is the entrance theme the Huskers and others use.
) The first time I heard Eye in the Sky, I had to download it just because of that intro.
